05
The Concert Hall, Toronto (27.05.2026)
BG+ : Boris Grebenshchikov (vocals, guitar), Alexander Titov (bass), Brian Finnegan (flute), Konstantin Tumanov (keyboards and accordion), Liam Bradley (drums), Gleb Grebenshchikov (percussion).
Boris (BG) prominent member of the generation which is widely considered to be the “founding fathers” of Russian rock music.
Boris Grebenshchikov & Aquarium performed a single concert in Canada. In Toronto, they presented their new album, Strange News from a Distant Star, along with legendary songs spanning all eras of the band’s history. A BG concert proved to be much more than just a performance—it was a journey through musical worlds where iconic Aquarium songs, the soundtrack of several generations, met brand-new compositions filled with drama, fresh poetic language, subtle irony, and the unmistakable spirit of BG.
Alongside the new material, the concert featured songs that have long become modern classics of Russian rock and an integral part of the cultural heritage of Russian-speaking audiences. Written across different decades, these songs remained alive, relevant, and open to new interpretations.
All pictures: flic.kr/s/aHBqjCVVMJ
11
Richmond Hill Centre for the Performing Arts. February 2-3, 2026.
A stage adaptation of Sergei Dovlatov’s cult classic The Suitcase.
Starring: Alexey Kortnev (musician, theater and film actor, frontman of the “Neschastny Sluchay” band), Alexey Agranovich (actor, director, producer, and artistic director of the Gogol Center in 2021–2022), Semyon Treskunov, Valentin Samohin, and Anna Tsagarelli.
Directed by Alexey Gaylit; Set Design by Nina Kobiashvili; Lighting Design by Vladislav Frolov; Sound Design by Mikhail Sokolik; Lyrics by Alexey Kortnev and Aram Gyurjyan.
When the protagonist leaves the Soviet Union for the United States, he takes just one small suitcase with him. Years later, he opens it – and inside are objects that carry the weight of an entire past. Each item sparks a story: funny, bittersweet, and deeply human.
These are stories about the people, the moments, the emotions that once filled his life. Piece by piece, they form a vivid mosaic of the Soviet era – familiar, intimate, instantly recognizable. Dovlatov’s signature blend of gentle melancholy, sharp irony, and subtle metaphor comes alive on stage, brought to life by a stellar cast.
The original music, written specifically for this production, creates a unique atmosphere where laughter sits side by side with nostalgia, and simple stories unfold into timeless reflections on love, friendship, and the search for oneself.
This is a play about fitting an entire life into a single suitcase – and about holding on to warmth and memory when you’re far from home. And about how, even in the hardest times, we’re always left with something that keeps us going: memory, love, hope.
All pictures: flic.kr/s/aHBqjCK8P9
07
Yelizaveta Gyrdymova in Phoenix Concert Theater (Toronto – 31.01.2026)
The internationally acclaimed Russian singer-songwriter Monetochka has successfully brought her much-anticipated FAIRYTALE TOUR to the stage.
First hailed as the “voice of a generation” in 2018, Monetochka once again captivated audiences in 2026 with an evolved sound and her unmistakable artistic style. Her lyrics revealed new depth and maturity, while retaining the sharp irony, vibrant energy, and wit that have long defined her music.
Having completed her transformation from a teenage icon into a bold metamodernist diva — a figure simultaneously labeled a foreign agent in Russia and nominated for the Nobel Peace Prize — Monetochka surprised and inspired the audience with a renewed image, fresh arrangements, and previously unreleased songs.
The FAIRYTALE TOUR became a truly unique live experience, seamlessly blending new material with signature performances and the beloved hits that shaped a generation.
All pictures: flic.kr/s/aHBqjCJK7h
17
John Bassett Theatre (Toronto 13.11.2025)
FRANK is not just a stage performance. It is a confession. A deeply personal yet universal experience that Danila Kozlovsky lives through right before the audience’s eyes. It is a first – person story, told and sung on stage: memories of childhood and family, first love, encounters with idols, favorite songs, dreams and disappointments, and, of course, a subtle, ironic look at himself. All of this comes together as a musical stand-up – vivid, dynamic, and profoundly sincere.
If the word “monodrama” makes you imagine a dark stage, a single chair, and an actor under a lone spotlight, forget those stereotypes. FRANK breaks conventional formats. It is true theatrical magic, where music, text, voice, light, and the energy of the moment merge into one. On stage, it is not merely an artist. On stage, it is a human being – real, unmasked, and unguarded.
The title itself is rich in meaning. FRANK is the name of the legendary singer whose songs are performed in the show. But in English, frank also means “open” and “honest” – and this is exactly how Kozlovsky appears before the audience. In an age of social media, where emotions are often replaced by filters and clichés, this performance feels like a breath of fresh air – a reminder of authenticity, of live human connection, and of the power of being oneself.
The production is directed by Savva Savelyev, one of the most striking and forward-thinking theater directors of the new generation. Under his guidance, FRANK acquires a distinctive stage language: the visual design amplifies every emotional nuance, while the live music becomes not just accompaniment but a full participant in the action. This is a performance about what resonates with everyone — love, family, the journey toward oneself, the search for meaning, and the desire to remain true.
All pictures: flic.kr/s/aHBqjCE9kr
14
Studio N (Toronto, 23.11.2025)
“School for emigrants” is the comedy based on a play by Dmitry Lipskerov.
Director: Sergey Kupriyanov.
Cast: Egor Yasov, Denis Lapega.
Sergey Kupriyanov is a director and actor, a nominee for the prestigious Canadian film and theatre awards Canadian Screen Award and DORA Theatrical Award. He has played leading roles in the cult films National Hunting Peculiarities, Satan, and The Watch. He is known for his bold and striking theatrical productions in Russia and Canada.
Denis Lapega is the artistic director and director of a theatre studio in Toronto. His students successfully made their debut with the production Potassium Cyanide. In Russia, he worked at the MOST Theatre, the Taganka Theatre, and others, performing leading roles in productions based on works by Pushkin, Gogol, and Shakespeare. In Toronto, he teaches acting, conducts workshops, and is actively involved in the city’s theatre scene.
Egor Yasov is an actor and director of the “Humpty Dumpty Theatre” (Toronto) and a nominee for the DORA Theatrical Award. He is noted for his expressive acting and precise sense of form, combining grotesque elements, humor, and psychological depth in his roles.
All pictures: flic.kr/s/aHBqjCDmmy
05
Richmond Hill Centre for the Performing Arts. Toronto – 27.11.2025
PREMIER CANADIAN TOUR 2025
Trio Mandili is a Georgian musical group which currently consists of Tatuli Mgeladze, Tako Tsiklauri, and Mariam Kurasbediani.
They perform polyphonic singing accompanied by a panduri, a traditional Georgian string instrument.
Georgian Dance Ensemble “Iverioni” was established in 2017 in Toronto by a dedicated group of dancers and musicians who sought to preserve the vibrant cultural heritage of Georgia.
Ensemble Led by: Zviadi Aptarashvili – Lead Choreographer/Director; Anano Sepiashvili – Artistic Director/Choreographer; Zura Kantroshvili – Choreographer/Dance Teacher; David Saqidze – Musical Director and Instrumentalist.
All pictures: flic.kr/s/aHBqjCCNaQ
30
The Concert Hall, Toronto (21.11.2025).
Band: Alexander Vasilyev – lead vocals, guitar; Vadim Sergeyev – guitar; Dmitriy Kunin – bass-guitar; Nikolay Rostovsky – keyboards; Alexey Meshcheryakov – drums.
All pictures: flic.kr/s/aHBqjCCf7h
16
John Bassett Theatre (Toronto 25.10.2025)
“Notes of Madmen” Dmitry Krimov’s play | Starring Chulpan Khamatova and Maksim Sukhanov.
This is the first production by director and designer Krymov in the Russian language, created in emigration and featuring two popular actors. Chulpan Khamatova and Maksim Sukhanov, who nearly 30 years ago starred together in Valery Todorovsky’s film The Land of the Deaf, appear on the same stage for the first time.
Notes of the Madmen is a phantasmagoric story about people lost in space and time. The characters, finding themselves unwillingly in new life circumstances, intertwine real stories with scenes from literature.
Chulpan Khamatova: “This performance is about mad love, about loneliness and loss, about a sense of duty and personal dignity, about the world around us that went insane long ago—and apparently for a long time to come.”
Scenography – Dmitry Krymov, Pyotr Voznesensky; Video Artist – Pyotr Voznesensky; Costume Designer – Tatyana Dolmatovskaya; Lighting Designer – Oskar Paulinsh; Makeup Artist – Elena Nalichaeva; Director’s Producer: Inna Krymova; Producers, Entracte International: Kirill Zayakin, Daniil Erokhin.
All pictures: flic.kr/s/aHBqjCAjia
31
Queen Elizabeth Theatre (Toronto 23.10.2025)
Band: Andrey Makarevich – lead vocals, guitar; Alexander Kutikov – bass guitar, vocals; Valeriy Efremov – drums, percussion; Alexander Levochkin – keyboards; Igor Homich – guitar; Kirill Ipatov – bongos, cymbals, percussion.
All pictures: flic.kr/s/aHBqjCzcms
13
John Bassett Theatre (Toronto 05.10.2025)
Starring Ksenia Rappoport & Henry David | North American Premiere
Dramaturgy: Olga Fedyanina; Set and Costume Design: Ksenia Peretrukhina; Movement: Polina Dreyden; Light: Gleb Filshtinsky.
The play “Beyond the Light” is a collaborative work by renowned writer Marina Stepnova and screenwriter and director Avdotya Smirnova. It is a story of an unexpected meeting between two unusual characters, each of whom, until a certain point, is unaware of their own uniqueness.
What will happen when two eccentric personalities collide in a place, where it seems, they don’t belong to? Their coincidental encounter and the connection between them unfold unpredictably. She is a vibrant soul, an earthly woman from an entirely different planet. He is an algorithm which is slowly acquiring a human face. The roles are reversed, and where there once was chaos hope begins to grow. In the new world, pieced together from the shards of the old, everything feels at once familiar and grotesque — funny and sad.
The space, which is imagined by set designer Ksenia Peretrukhina, reinforces this atmosphere: a fantastical world is born from everyday objects — a world made of fragments of ordinary life, forming a new mosaic, paradoxical yet logical at the same time. Here, absurdity and reality walk hand in hand. In the lead role Kseniya Rappoport — flesh and blood, the very heartbeat of the magical act in which the woman triumphs over death. Her partner is Henry David, a second-generation star of the Gesher Theatre and a well-known actor of Israeli cinema, who complements and balances this magnificent duo.
Together, they bring unique theatrical alchemy to the stage. Their interaction is not only the plotline but a profound metaphysical journey, in which they discover their path to the truth through passion, pain, and redemption.
All pictures: flic.kr/s/aHBqjCxetk












































































































































































































































































































































































































































































































































































































































































